Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 87
... play . The dualistic structure of Antony and Cleopatra also helps to make it Shakespeare's problem play par excellence . Let us remind ourselves of L. C. Knights's dictum quoted in the Introduction : ' In Macbeth we are never in any ...
... play . The dualistic structure of Antony and Cleopatra also helps to make it Shakespeare's problem play par excellence . Let us remind ourselves of L. C. Knights's dictum quoted in the Introduction : ' In Macbeth we are never in any ...
Seite 326
... play in 1614 . Cruelty and suffering seem to have become as familiar and entertaining to Jacobean audiences as they are to modern ones . Any sensible assessment and interpretation of the play , then , must account for the seeming ...
... play in 1614 . Cruelty and suffering seem to have become as familiar and entertaining to Jacobean audiences as they are to modern ones . Any sensible assessment and interpretation of the play , then , must account for the seeming ...
Seite 354
... play's derisive mirror - images of the playwright . But all the play's characters similarly attempt to ' build there ' , to write a story other than the one we know : Achilles and Patroclus laughing in the tent , Troilus and Cressida ...
... play's derisive mirror - images of the playwright . But all the play's characters similarly attempt to ' build there ' , to write a story other than the one we know : Achilles and Patroclus laughing in the tent , Troilus and Cressida ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words