Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 110
... gods are generally adduced as ana- logues for the protagonists . Our lovers will not only re- place Dido and Aeneas in Elysium , they will begin to encroach on the realm of the gods themselves . In Julius Caesar and the major tragedies ...
... gods are generally adduced as ana- logues for the protagonists . Our lovers will not only re- place Dido and Aeneas in Elysium , they will begin to encroach on the realm of the gods themselves . In Julius Caesar and the major tragedies ...
Seite 228
... gods . Gods are mentioned , but there is no intervention ; there is little or no prayer . The prayer of Apemantus can hardly be regarded as either honoring or beseeching the gods . Perhaps we can see this more clearly if we look for a ...
... gods . Gods are mentioned , but there is no intervention ; there is little or no prayer . The prayer of Apemantus can hardly be regarded as either honoring or beseeching the gods . Perhaps we can see this more clearly if we look for a ...
Seite 239
... gods , I crave no pelf ; I pray for no man but myself . Grant I may never prove so fond , To trust man on his oath or bond ; Or a harlot for her weeping , Or a dog that seems a - sleeping , Or a keeper with my freedom , Or my friends ...
... gods , I crave no pelf ; I pray for no man but myself . Grant I may never prove so fond , To trust man on his oath or bond ; Or a harlot for her weeping , Or a dog that seems a - sleeping , Or a keeper with my freedom , Or my friends ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words