Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 120
... final loss of his fleet and army , assert emphatically his posses- sion of courage , generosity and of a noble capacity to enjoy pleasure without being possessed by it . There re- mains the ultimate agony of supposed betrayal by Cleo ...
... final loss of his fleet and army , assert emphatically his posses- sion of courage , generosity and of a noble capacity to enjoy pleasure without being possessed by it . There re- mains the ultimate agony of supposed betrayal by Cleo ...
Seite 143
... final vision of Cleopatra , and his response , like Enobarbus ' memory of the Cydnus , attests the validity of the vision that drew Antony from Rome . Caesar is moved by Cleopatra's act and her staging of it . The audience , having seen ...
... final vision of Cleopatra , and his response , like Enobarbus ' memory of the Cydnus , attests the validity of the vision that drew Antony from Rome . Caesar is moved by Cleopatra's act and her staging of it . The audience , having seen ...
Seite 203
... final analysis , such a stance as Ti- mon's cannot resolve the conflict in his soul . His despair about the human condition , like Gulliver's at the end of the Travels , so sets him off from other men that " recon- cilement " seems ...
... final analysis , such a stance as Ti- mon's cannot resolve the conflict in his soul . His despair about the human condition , like Gulliver's at the end of the Travels , so sets him off from other men that " recon- cilement " seems ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words