Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 84
... feel . ( 4.6.34-6 ) And thought does it , we are led to believe . Enobarbus dies with Antony's name on his lips ( 4.9.23 ) . The lack of a stage - direction in the Folio leaves the cause of Iras's death more obscure . But the absence of ...
... feel . ( 4.6.34-6 ) And thought does it , we are led to believe . Enobarbus dies with Antony's name on his lips ( 4.9.23 ) . The lack of a stage - direction in the Folio leaves the cause of Iras's death more obscure . But the absence of ...
Seite 130
... feel- ings had no place in public affairs of any kind . On a battlefield they are preposterous . To be defeated in the normal way is shame enough . Antony's humiliation , like his love , ' o'erflows the measure ' . Now I must To the ...
... feel- ings had no place in public affairs of any kind . On a battlefield they are preposterous . To be defeated in the normal way is shame enough . Antony's humiliation , like his love , ' o'erflows the measure ' . Now I must To the ...
Seite 180
... feeling that Timon is in fact a ' case ' - of a special sort - but a sort that Shakespeare's sympathy can make us see and feel with . Wounded and enraged , Timon would then be like someone who sucks a sore tooth for the hurt that it ...
... feeling that Timon is in fact a ' case ' - of a special sort - but a sort that Shakespeare's sympathy can make us see and feel with . Wounded and enraged , Timon would then be like someone who sucks a sore tooth for the hurt that it ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words