Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 84
Seite 22
... fact , a constant feature of historiography , and without it history - writing would probably be impossible . The facts of the past only acquire shape and order when the mould of particular questions forces out specific meanings . It is ...
... fact , a constant feature of historiography , and without it history - writing would probably be impossible . The facts of the past only acquire shape and order when the mould of particular questions forces out specific meanings . It is ...
Seite 177
... fact , which is one reason why it seems so much less of an invention and separate world than any of the others , more of a recita- tion , or opera in concert performance . Its affinity here is more with Troilus and Cressida than with ...
... fact , which is one reason why it seems so much less of an invention and separate world than any of the others , more of a recita- tion , or opera in concert performance . Its affinity here is more with Troilus and Cressida than with ...
Seite 305
... fact has resurrected an old play and revised its ending . And yet Bel - imperia chooses to ignore that revi- sion and kill herself ; experience in the Spanish court has in fact fully conformed to an artistic pattern created long ago in ...
... fact has resurrected an old play and revised its ending . And yet Bel - imperia chooses to ignore that revi- sion and kill herself ; experience in the Spanish court has in fact fully conformed to an artistic pattern created long ago in ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words