Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 55
... Comes , be used to suggest some of the meanings which sophisticated read- ers and playgoers of the late sixteenth and early seven- teenth centuries would have found in Shakespeare's myth- ological allusions . The plundering of the ...
... Comes , be used to suggest some of the meanings which sophisticated read- ers and playgoers of the late sixteenth and early seven- teenth centuries would have found in Shakespeare's myth- ological allusions . The plundering of the ...
Seite 348
... comes to the Trojans and tells them Hector is dead : there is no more to say . ( V.x.25 ) After Cressida has betrayed Troilus , Ulysses begins to draw him away from the scene : All's done my Lord . It is . Why stay we then ? ( V.ii. 115 ...
... comes to the Trojans and tells them Hector is dead : there is no more to say . ( V.x.25 ) After Cressida has betrayed Troilus , Ulysses begins to draw him away from the scene : All's done my Lord . It is . Why stay we then ? ( V.ii. 115 ...
Seite 382
... comes to an unspecified end . Troilus and Cressida ends with the two characters still alive , but their situation too has come to an end . The rest of their lives , as the audience know , will be an afterthought and anti- climax , the ...
... comes to an unspecified end . Troilus and Cressida ends with the two characters still alive , but their situation too has come to an end . The rest of their lives , as the audience know , will be an afterthought and anti- climax , the ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words