Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 62
... called a ' history ' on its quarto title - page in 1609 , a ' comedy ' in the anonymous preface printed in one issue of that quarto edition , and a ' tragedy ' according to the place originally intended for its printing in the 1623 ...
... called a ' history ' on its quarto title - page in 1609 , a ' comedy ' in the anonymous preface printed in one issue of that quarto edition , and a ' tragedy ' according to the place originally intended for its printing in the 1623 ...
Seite 182
... called the latter ) —but we are again brought back to that very unShakespearean predicament : What to think about it ? A common reaction to a modern play , where we are evidently supposed to think some- thing , but not to Shakespeare ...
... called the latter ) —but we are again brought back to that very unShakespearean predicament : What to think about it ? A common reaction to a modern play , where we are evidently supposed to think some- thing , but not to Shakespeare ...
Seite 313
... called the ' cordial of my age to glad my heart ' ( I.i.167 ) . The pun on cordial and heart came early enough in the play to emphasize identity instead of disjunction , and while it testifies to paternal devotion , it also anticipates ...
... called the ' cordial of my age to glad my heart ' ( I.i.167 ) . The pun on cordial and heart came early enough in the play to emphasize identity instead of disjunction , and while it testifies to paternal devotion , it also anticipates ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words