Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 323
... action as of words which established this identity ; the Overburian sketch justifies its comparison of actor and orator by noting that " by a full and significant action of the body , he [ the actor ] charmes our attention . " This ...
... action as of words which established this identity ; the Overburian sketch justifies its comparison of actor and orator by noting that " by a full and significant action of the body , he [ the actor ] charmes our attention . " This ...
Seite 326
... action of Titus Androni- cus , as of any play , is its text ; and the text of Titus exam- ines in a coherent way the very distinction , between the exterior action of the player and the interior action of the learned reader , that ...
... action of Titus Androni- cus , as of any play , is its text ; and the text of Titus exam- ines in a coherent way the very distinction , between the exterior action of the player and the interior action of the learned reader , that ...
Seite 341
... action , and his assertion of authority as a wise man is undermined continually by the expediency of his actions ; Carlo Buffone is translated into Thersites ; and the pre- tender to virtue , Macilente , who is contaminated by his own ...
... action , and his assertion of authority as a wise man is undermined continually by the expediency of his actions ; Carlo Buffone is translated into Thersites ; and the pre- tender to virtue , Macilente , who is contaminated by his own ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words