Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 03.07.1995 - 500 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 84
Seite 15
... Shakes- peare's most compelling embodiment of the terror that threatens the urbs from outside its wall ; this ' Mycenean ' hero , more at home in battle than in the polis , is reminis- cent at Corioles of awesome Turnus in Book IX of ...
... Shakes- peare's most compelling embodiment of the terror that threatens the urbs from outside its wall ; this ' Mycenean ' hero , more at home in battle than in the polis , is reminis- cent at Corioles of awesome Turnus in Book IX of ...
Seite 45
... Shakes- peare recalls an entire episode - its characters and the- matic implications . Lying below the surface of Shakes- peare's text , the Aeneas and Dido story deepens and en- riches the play . It must be observed , however , that Shakes ...
... Shakes- peare recalls an entire episode - its characters and the- matic implications . Lying below the surface of Shakes- peare's text , the Aeneas and Dido story deepens and en- riches the play . It must be observed , however , that Shakes ...
Seite 61
... Shakes- peare's work is the difficulty we sometimes experience in attaching a generic label to an individual play . When the great Folio was published in 1623 , its contents were di- vided into comedies , histories , and tragedies ...
... Shakes- peare's work is the difficulty we sometimes experience in attaching a generic label to an individual play . When the great Folio was published in 1623 , its contents were di- vided into comedies , histories , and tragedies ...
Inhalt
Shakespeare and Classical Civilization | 1 |
Antony and Cleopatra | 81 |
Timon of Athens | 154 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aaron Achilles action Aeneas Aeneid Alcibiades allusions ancient Antony and Cleopatra Antony's Apemantus Athenian audience becomes Brutus character Chiron classical Cleo comedy contrast Coriolanus critics death Demetrius Dido dramatic Elizabethan English Enobarbus essay date fact friends give gods Goths Greek Hamlet hath Hector Hecuba Hercules hero Homer human Iliad Jonson Julius Caesar King language Latin Lavinia Lear live lord lovers Lucius Lucrece Marcus Mars means Metamorphoses moral nature noble Octavius Ovid Ovid's Ovidian passion patra peare peare's Plautus play's Plutarch poem poet poetry political queen rape Renaissance revenge rhetoric Roman plays Rome Saturninus says scene seems Sejanus Senate Seneca sense Shakes Shakespeare Shakespeare's Roman speak speech stage story style suggests Tamora Tereus thee things thou thought Timon of Athens tion Titus Andronicus Titus's tradition tragedy tragic translation Troilus and Cressida Troy Ulysses values Venus Vergil virtue words