Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 Seiten In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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Seite 19
... someone who talks too much , and your best friend was in the room . Your friend saw all your facial gestures - rolling your eyes , moving the receiver a few inches from your ear - which the listener on the other end of the line did not ...
... someone who talks too much , and your best friend was in the room . Your friend saw all your facial gestures - rolling your eyes , moving the receiver a few inches from your ear - which the listener on the other end of the line did not ...
Seite 77
... someone he knew , or someone famous . Perhaps he wrote in reaction to something else , a clue that may help you see the world of his play . Example . Chekhov , in his pastoral comedies , was STAKES 77.
... someone he knew , or someone famous . Perhaps he wrote in reaction to something else , a clue that may help you see the world of his play . Example . Chekhov , in his pastoral comedies , was STAKES 77.
Seite 167
... Someone hidden below actually poured water from a pitcher into a pot , so that the audience could complete the image of what was happening . ( There are high theatrics and low theatrics ; this is depth of a different sort . ) Note the ...
... Someone hidden below actually poured water from a pitcher into a pot , so that the audience could complete the image of what was happening . ( There are high theatrics and low theatrics ; this is depth of a different sort . ) Note the ...
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Playing the Audience: The Practical Actor's Guide to Live Performance James B. Nicola Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York