Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 Seiten In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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Seite 46
... Simply the fact that he remains silent ( instead of trying to silence her again or questioning her ) shows that he is now considering the possibil- ity of not failing . By the end of her speech , he has become so affected by her ...
... Simply the fact that he remains silent ( instead of trying to silence her again or questioning her ) shows that he is now considering the possibil- ity of not failing . By the end of her speech , he has become so affected by her ...
Seite 176
... simply going to happen , for which no one need interpose his will . ( Ex- ample : “ The sun will rise tomorrow . " ) The future imperative ( or emphatic future ) is used when a statement is not necessarily true , but someone's will must ...
... simply going to happen , for which no one need interpose his will . ( Ex- ample : “ The sun will rise tomorrow . " ) The future imperative ( or emphatic future ) is used when a statement is not necessarily true , but someone's will must ...
Seite 211
... simply have to be able to know how to work — and how to do homework . Experience will help you tailor that homework to complement what is going on in rehearsal , and to bridge the gap between yourself and the role . During rehearsals ...
... simply have to be able to know how to work — and how to do homework . Experience will help you tailor that homework to complement what is going on in rehearsal , and to bridge the gap between yourself and the role . During rehearsals ...
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Playing the Audience: The Practical Actor's Guide to Live Performance James B. Nicola Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York