Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 Seiten In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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Seite 89
... Sense memory is the basic building block of convincing . Once you undergo the above painstaking process and can create an orange that is not there , you will be well on your way to getting your audience to believe you in anything . The ...
... Sense memory is the basic building block of convincing . Once you undergo the above painstaking process and can create an orange that is not there , you will be well on your way to getting your audience to believe you in anything . The ...
Seite 107
... sense is instinct , the gut feeling that lets you know you are soaring , with- out your actually having to watch yourself soar . How do you develop this instinct ? In class or ensemble work , the eye of the coach , instructor , or ...
... sense is instinct , the gut feeling that lets you know you are soaring , with- out your actually having to watch yourself soar . How do you develop this instinct ? In class or ensemble work , the eye of the coach , instructor , or ...
Seite 187
... sense to her and to her listener . Every verb and pronoun has an antecedent , stated or implied . Example . During his Queen Mab speech in Romeo and Juliet ( 1.4 ) , Mercutio goes on and on in long , giddy lists . He betrays not only a ...
... sense to her and to her listener . Every verb and pronoun has an antecedent , stated or implied . Example . During his Queen Mab speech in Romeo and Juliet ( 1.4 ) , Mercutio goes on and on in long , giddy lists . He betrays not only a ...
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Playing the Audience: The Practical Actor's Guide to Live Performance James B. Nicola Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York