Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 Seiten In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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Seite 50
... moment - a beginning , a middle , or an end . ( I am referring to " beat " as a stage direction , not breaking down a scene into beats , an entirely different word . ) A moment can last a split second or be stretched as long as the ...
... moment - a beginning , a middle , or an end . ( I am referring to " beat " as a stage direction , not breaking down a scene into beats , an entirely different word . ) A moment can last a split second or be stretched as long as the ...
Seite 110
... moment — and never revisit the same moment twice . In life you subtly transform from moment to moment like this all the time , depending , for starters , on whom you are with . Onstage , too , once another character enters or exits ...
... moment — and never revisit the same moment twice . In life you subtly transform from moment to moment like this all the time , depending , for starters , on whom you are with . Onstage , too , once another character enters or exits ...
Seite 117
... moment is a WHAT ? or an AH !, and what part of the play's structure it constitutes . For example , during the exposition , avoid talking too fast , because the audience needs to process the information . Conversely , you generally want ...
... moment is a WHAT ? or an AH !, and what part of the play's structure it constitutes . For example , during the exposition , avoid talking too fast , because the audience needs to process the information . Conversely , you generally want ...
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Playing the Audience: The Practical Actor's Guide to Live Performance James B. Nicola Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York