Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 Seiten In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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Seite 44
... going to let him tell his tale , and will be thrown off if you say , " Is this going to be a long one ? " The juice of daily conversation lies in this frustrating and colorful agenda of the unsaid . Likewise , a character in a play does ...
... going to let him tell his tale , and will be thrown off if you say , " Is this going to be a long one ? " The juice of daily conversation lies in this frustrating and colorful agenda of the unsaid . Likewise , a character in a play does ...
Seite 138
... going on inside in addition to the text itself ; second , don't necessarily let anyone know . " Anyone " will certainly be the audience , but may very well include the other actors and the director . They will certainly notice sublim ...
... going on inside in addition to the text itself ; second , don't necessarily let anyone know . " Anyone " will certainly be the audience , but may very well include the other actors and the director . They will certainly notice sublim ...
Seite 209
... going to spend on the sea . And when I die , I'm going to die on the sea . You know what I shall die of ? I shall die of eating an unwashed grape one day out on the ocean . I will die - with my hand in the hand of some nice - looking ...
... going to spend on the sea . And when I die , I'm going to die on the sea . You know what I shall die of ? I shall die of eating an unwashed grape one day out on the ocean . I will die - with my hand in the hand of some nice - looking ...
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Playing the Audience: The Practical Actor's Guide to Live Performance James B. Nicola Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York