Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 Seiten In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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Seite 5
... fact that what the audience sees happened once in real life , or that it is happening to real people , but that it is really taking place right now in the theater . The characters may be fictitious , but they are here . The audience ...
... fact that what the audience sees happened once in real life , or that it is happening to real people , but that it is really taking place right now in the theater . The characters may be fictitious , but they are here . The audience ...
Seite 55
... facts , or the pre - story . All amount to pretty much the same thing . Types of Facts Facts that the script stipulates directly ( given circumstances ) • • Facts that the script suggests ( implied circumstances ) • Facts you make up on ...
... facts , or the pre - story . All amount to pretty much the same thing . Types of Facts Facts that the script stipulates directly ( given circumstances ) • • Facts that the script suggests ( implied circumstances ) • Facts you make up on ...
Seite 197
... fact that am lies in a stressed position may encourage you to explore just how much she wants to defend her reputation as a virgin ( “ maid ” ) . In the end , though , you will probably make it a placeholder stress , as Julia's conflict ...
... fact that am lies in a stressed position may encourage you to explore just how much she wants to defend her reputation as a virgin ( “ maid ” ) . In the end , though , you will probably make it a placeholder stress , as Julia's conflict ...
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Playing the Audience: The Practical Actor's Guide to Live Performance James B. Nicola Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York