Playing the Audience: The Practical Actor's Guide to Live PerformanceApplause, 2002 - 257 Seiten In this book divided into eight chapters, author James Nicola reveals how the technique of live acting springs directly from the unique relationship between the performer and the spectator. Playing the Audience includes advice on: creating a character from the stage - from external gestures to inner dialogue; scoring the text; subtext; emotional memory; substitution; conflict; objectives; through-line of action; improvisation; blocking a scene; language and speech; connecting to the world of the play; and much more. |
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Seite 105
... Exercise : Sing - through or Bounce - through . To explore vocal variety , try a corresponding company exercise where you alter the pitch or color of your voice with every word , or make yourself speak / sing from the top and bottom of ...
... Exercise : Sing - through or Bounce - through . To explore vocal variety , try a corresponding company exercise where you alter the pitch or color of your voice with every word , or make yourself speak / sing from the top and bottom of ...
Seite 127
... exercises helps give your acting a sense of beginning , middle , and end . First , the beginning . Exercise : Aborted Speech . Choose a sentence to say aloud . It can be either your own words or a line of dialogue , but do have it in ...
... exercises helps give your acting a sense of beginning , middle , and end . First , the beginning . Exercise : Aborted Speech . Choose a sentence to say aloud . It can be either your own words or a line of dialogue , but do have it in ...
Seite 254
... exercise , 130-131 smoothness , 30 , 158 , 217 Social Security ( A. Bergman ) , 11 Socrates , 10 soliloquy , 13 , 15 , 21 , 52 , 68 , 157 , 158-159 Sound and Movement , exercise , 93-96 , 162 , 163 Sound Textures : Tempo - Rhythms and ...
... exercise , 130-131 smoothness , 30 , 158 , 217 Social Security ( A. Bergman ) , 11 Socrates , 10 soliloquy , 13 , 15 , 21 , 52 , 68 , 157 , 158-159 Sound and Movement , exercise , 93-96 , 162 , 163 Sound Textures : Tempo - Rhythms and ...
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Playing the Audience: The Practical Actor's Guide to Live Performance James B. Nicola Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
able acting action active actor actually adjustment audience ball become beginning blocking breath cast character character's choices clues connection convey course dialogue directions director effective emotion entire event Example exercise eyes fact feel finally French gesture give going hand happen Hedda idea images inner invite involves keep language later least listener live look mean merely mind moment natural necessarily never night Note objective once onstage particularly pause performance person physical play playwright plot production rehearsal Remember repeat requires role scene script sense Shakespeare silence simply someone Sometimes sound speak speech stage starts story stress suggests sure syllables talk technique tell theater theatrical thing thoughts turn words York