The British Plutarch: Containing the Lives of the Most Eminent Divines, Patriots, Statemen, Warriors, Philosophers, Poets, and Artists of Great Britain and Ireland, from the Accention of Henry VIII, to the Present Time, Band 2J. Mawman, 1816 |
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Seite 1
... of a nut was set At His great birth , where all the Muses met . ' ( Forest , ii . ) This oak , to which Waller also alludes , as - Of noble Sidney's birth VOL . II . The sacred mark- B in the county of Kent . His handsome and accom-
... of a nut was set At His great birth , where all the Muses met . ' ( Forest , ii . ) This oak , to which Waller also alludes , as - Of noble Sidney's birth VOL . II . The sacred mark- B in the county of Kent . His handsome and accom-
Seite 9
... noble blood you are descended of by your mother's side : and think , that only by virtuous life and good actions you may be an ornament to that illustrious family ; and , otherwise , through vice and sloth you shall be counted labes ...
... noble blood you are descended of by your mother's side : and think , that only by virtuous life and good actions you may be an ornament to that illustrious family ; and , otherwise , through vice and sloth you shall be counted labes ...
Seite 11
... noble uncle strongly recommended to Mr. Walsingham , at that time the English embassador in France . On his arrival in Paris , Charles IX . is said to have been so much struck with his ingenuous manners and conversation , that he ...
... noble uncle strongly recommended to Mr. Walsingham , at that time the English embassador in France . On his arrival in Paris , Charles IX . is said to have been so much struck with his ingenuous manners and conversation , that he ...
Seite 22
... noble parts , The mysteries of manners , arms , and arts . " * His brethren in arms were , the Earl of Arundel , Lord Windsor , and Mr. Fulke Greville . The Queen's suspicious and unpardonable fluctuation , which alarmed her ministry ...
... noble parts , The mysteries of manners , arms , and arts . " * His brethren in arms were , the Earl of Arundel , Lord Windsor , and Mr. Fulke Greville . The Queen's suspicious and unpardonable fluctuation , which alarmed her ministry ...
Seite 24
... noble parts , The mysteries of manners , arms , and arts . " His brethren in arms were , the Earl of Arundel , Lord Windsor , and Mr. Fulke Greville . The Queen's suspicious and unpardonable fluctuation , which alarmed her ministry and ...
... noble parts , The mysteries of manners , arms , and arts . " His brethren in arms were , the Earl of Arundel , Lord Windsor , and Mr. Fulke Greville . The Queen's suspicious and unpardonable fluctuation , which alarmed her ministry and ...
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Häufige Begriffe und Wortgruppen
Admiral afterward appears appointed Archbishop Bacon Ben Jonson Bishop Buckingham Camden cause Cecil character Coke Comedy command Council court crown death doth Drake Duke Duke of Anjou Earl of Essex Earl of Leicester embassador enemies England English father favour favourite fleet fortune France gave hand hath Hawkins heart Henry honour Ireland James Jonson judgement justice King King's lady learning letter likewise live Lord Burghley Lord High Admiral Lordships Majesty Majesty's matter ment mind nature never noble observes occasion parliament person Philip poet prince Queen of Scots received reign reputation royal says Scythians sent Shakspeare ships Sidney Sir Edward Coke Sir Francis Sir John Sir Philip Sidney Sir Robert Cecil Sir Walter Ralegh Sovereign Spain Spaniards Spanish Spenser spirit thee thing thou thought tion took unto virtue writings
Beliebte Passagen
Seite 398 - Thy gowns, thy shoes, thy beds of roses, Thy cap, thy kirtle, and thy posies, Soon break, soon wither, soon forgotten,— In folly ripe, in reason rotten. Thy belt of straw and ivy buds, Thy coral clasps and amber studs,— All these in me no means can move To come to thee and be thy love.
Seite 397 - And I will make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroidered all with leaves of myrtle.
Seite 484 - But the images of men's wits and knowledges remain in books, exempted from the wrong of time, and capable of perpetual renovation. Neither are they fitly to be called images, because they generate still, and cast their seeds in the minds of others, provoking and causing infinite actions and opinions in succeeding ages...
Seite 311 - A quibble is the golden apple for which he will always turn aside from his career, or stoop from his elevation. A quibble, poor and barren as it is, gave him such delight, that he was content to purchase it, by the sacrifice of reason, propriety, and truth. A quibble was to him the fatal Cleopatra for which he lost the world, and was content to lose it.
Seite 305 - His characters are not modified by the customs of particular places, unpractised by the rest of the world ; by the peculiarities of studies or professions, which can operate but upon small numbers ; or by the accidents of transient fashions or temporary opinions...
Seite 400 - Their purpose is ambition, Their practice, only hate ; And if they once reply, Then give them all the lie. Tell them that brave it most, They beg for more by spending Who in their greatest cost Seek nothing but commending ; And if they make reply, Spare not to give the lie.
Seite 309 - It may be observed, that in many of his plays the latter part is evidently neglected. When he found himself near the end of his work, and, in view of his reward, he shortened the labour to snatch the profit. He therefore remits his efforts where he should most vigorously exert them, and his catastrophe is improbably produced or imperfectly represented.
Seite 99 - We have been persuaded by some, that are careful of our safety, to take heed how we commit ourselves to armed multitudes for fear of treachery ; but, I assure you, I do not desire to live to distrust my faithful and loving people.
Seite 316 - Imitations produce pain or pleasure, not because they are mistaken for realities, but because they bring realities to mind.
Seite 314 - The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Rome, supposes that when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Anthony and Cleopatra. Surely he that imagines this may imagine more.