Questioning Racinian TragedyNoting significant differences between the individual tragedies of Racine and the many current notions of what "Racinian tragedy" is deemed to imply, John Campbell explores the identity and meaning of the modern "Racine." He asks if any one critical parad |
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Inhalt
IV | 37 |
V | 38 |
VI | 45 |
VIII | 49 |
IX | 56 |
X | 65 |
XII | 71 |
XIII | 78 |
XXX | 151 |
XXXII | 156 |
XXXIII | 157 |
XXXIV | 163 |
XXXV | 172 |
XXXVI | 176 |
XXXVII | 180 |
XXXVIII | 186 |
XIV | 82 |
XV | 85 |
XVI | 87 |
XVII | 91 |
XVIII | 106 |
XIX | 109 |
XX | 115 |
XXI | 118 |
XXII | 120 |
XXIII | 126 |
XXIV | 128 |
XXV | 133 |
XXVI | 135 |
XXVII | 140 |
XXVIII | 143 |
XXIX | 145 |
XXXIX | 191 |
XL | 194 |
XLI | 198 |
XLII | 205 |
XLIII | 207 |
XLIV | 211 |
XLV | 215 |
XLVI | 218 |
XLVII | 222 |
XLVIII | 233 |
XLIX | 238 |
L | 241 |
LI | 243 |
LII | 245 |
LIII | 254 |
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accept already Andromaque appears asserts Athalie attempt audience Augustinian Bajazet become beginning Berenice Britannicus called century chapter characters choice coherence complete considered context created critical death decision desire difficult divine dramatic action emotions evidence example exist experience explain expressed fact final forces Forestier French future Georges given gives Gods hand happens Hippolyte human idea identity important interpretation Iphigenie Jansenism Jansenist Jean Rohou king language leads least less lines means mind Mithridate moral nature particular passion past perhaps Phedre play plot possible present problem questions Racine Racine's Racine's tragedies Racinian tragedy reality reason references response rhetoric role scene seek seems seen sense simply single speak structure suggest things tion Titus tragic tragic action tragique true turn vision whole