Festschrift Rudolf Stamm: Zu Seinem 60. Geburtstag Am 12. April 1969Eduard Kolb, Jörg Hasler Francke, 1969 - 291 Seiten |
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Seite 146
... audience , the audience respond to him , make him the embodiment of their sensations , thoughts and feelings . Let us call the one who is the active cause of the spectators ' response the hero , let us call the one who becomes the ...
... audience , the audience respond to him , make him the embodiment of their sensations , thoughts and feelings . Let us call the one who is the active cause of the spectators ' response the hero , let us call the one who becomes the ...
Seite 166
... audience . A count of the individual occurrences of these twenty items in the ninety - one lines of I 1 shows that ... audience , besides being used as the medium of com- munication by the performing characters , for the simple reason ...
... audience . A count of the individual occurrences of these twenty items in the ninety - one lines of I 1 shows that ... audience , besides being used as the medium of com- munication by the performing characters , for the simple reason ...
Seite 187
... audience with the play in performance . Kyd's field may be more colourful , more suggestive , more appealing to the emotions and the preconceived feelings of his audience . It is certainly less precise , less of a telegraphic code than ...
... audience with the play in performance . Kyd's field may be more colourful , more suggestive , more appealing to the emotions and the preconceived feelings of his audience . It is certainly less precise , less of a telegraphic code than ...
Inhalt
Shaw and Shakespeare | 13 |
Macbeth Tragödie der Selbstspaltung und Selbstentfremdung | 23 |
King Lear in der Bildkunst | 31 |
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Aalst actor André Bloch Annesley Arthurian audience Basel become besonders bloß case characters Chrétien de Troyes Cordell course Craig criticism critics Cymbeline dead deutschen Dichter Dichtung dramatic dramatischen dramatist Dryden Elizabethan England englischen ersten fact Falstaff father field of death figure first Form Gedicht Ghost Gibbon give good great Hamlet Hamlet's heißt Henry heroes HIERONIMO Historia Brittonum historische Ibid Illusion John John Dryden John Keats Julius Caesar Keats King Lear Kunst Lady language läßt life literary Literatur London Lord Sheffield love Macbeth made make meaning means Menschen Michelet Molière murder muß nature Nennius never Othello painting place play plays point Reucker revenge same scene Schiller Schlegel semantic field Shake Shakespeare Shakespeare's Shaw Sheffield speak Sprache stage Szene T. S. Eliot take text Theater thee things thou time Tragödie Übersetzung unserer Welt Werk Wieland Wirklichkeit words work world Wort years Zürich