Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 Seiten Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Seite xv
... Remarkable Characters appearing in 1774 . His work had an ethical aim ; he had indulged in what he described as an exercise no less adapted to improve the heart , than to inform the understanding . ' My in- tention ' , he says , ' is to ...
... Remarkable Characters appearing in 1774 . His work had an ethical aim ; he had indulged in what he described as an exercise no less adapted to improve the heart , than to inform the understanding . ' My in- tention ' , he says , ' is to ...
Seite 152
... remarkable characters , and to analyze their component parts : An exercise no less adap- ted to improve the heart , than to inform the understand- ing . It is obvious that my design by no means coincides with that of the ingenious ...
... remarkable characters , and to analyze their component parts : An exercise no less adap- ted to improve the heart , than to inform the understand- ing . It is obvious that my design by no means coincides with that of the ingenious ...
Seite 153
... remarkable essay are given here . Modern reprints of the complete text will be found in the Oxford Library of Prose and Poetry ( ed . W. A. Gill , 1912 ) , and in the editor's Eighteenth Century Essays on Shake- speare , 1903 . The ...
... remarkable essay are given here . Modern reprints of the complete text will be found in the Oxford Library of Prose and Poetry ( ed . W. A. Gill , 1912 ) , and in the editor's Eighteenth Century Essays on Shake- speare , 1903 . The ...
Inhalt
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers