Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 Seiten Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Seite 119
... moral , that villany is never at a stop , that crimes lead to crimes , and at last terminate in ruin . But though this moral be incidentally enforced , Shakespeare has suffered the virtue of Cordelia to perish in a just cause , contrary ...
... moral , that villany is never at a stop , that crimes lead to crimes , and at last terminate in ruin . But though this moral be incidentally enforced , Shakespeare has suffered the virtue of Cordelia to perish in a just cause , contrary ...
Seite 243
... moral being constituting one living total of head and heart . He has drawn it , indeed , in all its distinctive ... moral sense , and in him , as in some brute animals , this advance to the intellectual faculties , without the moral ...
... moral being constituting one living total of head and heart . He has drawn it , indeed , in all its distinctive ... moral sense , and in him , as in some brute animals , this advance to the intellectual faculties , without the moral ...
Seite 244
A Selection David Nichol Smith. without the moral sense , is marked by the appearance of vice . For it is in the primacy of the moral being only that man is truly human ; in his intellectual powers he is certainly approached by the ...
A Selection David Nichol Smith. without the moral sense , is marked by the appearance of vice . For it is in the primacy of the moral being only that man is truly human ; in his intellectual powers he is certainly approached by the ...
Inhalt
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers