Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 Seiten Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Seite 150
... less on the state of our own minds , than on the intrinsic excellence of the performance . It is also obvious , that ... less than the gentle ; the benign no less than the malignant . There are several writers , as there are many players ...
... less on the state of our own minds , than on the intrinsic excellence of the performance . It is also obvious , that ... less than the gentle ; the benign no less than the malignant . There are several writers , as there are many players ...
Seite 165
... less of what may be called mellowness or good humour , or less of health and spirit ; if he had spurred and rode the world with his wit , instead of suffering the world , boys and all , to ride THE CHARACTER OF FALSTAFF 165.
... less of what may be called mellowness or good humour , or less of health and spirit ; if he had spurred and rode the world with his wit , instead of suffering the world , boys and all , to ride THE CHARACTER OF FALSTAFF 165.
Seite 218
... less valuable , not less indis- pensable mark Γονίμου μὲν ποιητοῦ —ὅστις ῥῆμα γενναῖον λάκοι , will the imagery supply , when , with more than the power of the painter , the poet gives us the liveliest image of succession with the ...
... less valuable , not less indis- pensable mark Γονίμου μὲν ποιητοῦ —ὅστις ῥῆμα γενναῖον λάκοι , will the imagery supply , when , with more than the power of the painter , the poet gives us the liveliest image of succession with the ...
Inhalt
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers