Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 Seiten Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Seite 218
... instances of this excellence , the reader's own memory will refer him to the LEAR , OTHELLO , in short to which not of ... instance of love in Sonnet 98 . From you have I been absent in the spring , When proud pied April drest in all its ...
... instances of this excellence , the reader's own memory will refer him to the LEAR , OTHELLO , in short to which not of ... instance of love in Sonnet 98 . From you have I been absent in the spring , When proud pied April drest in all its ...
Seite 234
... places to men , but they did bring men to places , as in the well known instance in the Eumenides , where dur- ing an evident retirement of the chorus from the orchestra , the scene is changed to Athens , and 234 COLERIDGE.
... places to men , but they did bring men to places , as in the well known instance in the Eumenides , where dur- ing an evident retirement of the chorus from the orchestra , the scene is changed to Athens , and 234 COLERIDGE.
Seite 338
... instance , - ‚ —a single instance , indeed one which in itself is a world of new revelation , -the possible beauty of the female character had not been seen as in a dream before Shakspeare called into perfect life the radiant shapes of ...
... instance , - ‚ —a single instance , indeed one which in itself is a world of new revelation , -the possible beauty of the female character had not been seen as in a dream before Shakspeare called into perfect life the radiant shapes of ...
Inhalt
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers