Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 Seiten Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Seite xx
... impression derived from the drama , and in the drama , as Morgann said , ' the impression is the fact ' . It is a supreme testimony to Shakespeare that the life which he gave to his characters should be treated as if it carried them ...
... impression derived from the drama , and in the drama , as Morgann said , ' the impression is the fact ' . It is a supreme testimony to Shakespeare that the life which he gave to his characters should be treated as if it carried them ...
Seite 181
... Impressions , or produced certain effects , of which he has thought fit to conceal or obscure the cause ? How he has ... Impression then , it was , at all adventures , necessary to with - hold ; which could not perhaps well be without ...
... Impressions , or produced certain effects , of which he has thought fit to conceal or obscure the cause ? How he has ... Impression then , it was , at all adventures , necessary to with - hold ; which could not perhaps well be without ...
Seite 183
... Impression on their Feelings ( in which all Dramatic truth consists ) being already , as I have supposed , in favour of the charac- ter . In the pursuit of this subject I have taken the general Impression of the whole character pretty ...
... Impression on their Feelings ( in which all Dramatic truth consists ) being already , as I have supposed , in favour of the charac- ter . In the pursuit of this subject I have taken the general Impression of the whole character pretty ...
Inhalt
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers