Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 Seiten Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Seite 40
... Imagination with the Characters and Actions of such Persons as have many of them no Existence , but what he bestows on them . Such are Fairies , Witches , Magicians , Demons , and departed Spirits . This Mr. Dryden calls the Fairy way ...
... Imagination with the Characters and Actions of such Persons as have many of them no Existence , but what he bestows on them . Such are Fairies , Witches , Magicians , Demons , and departed Spirits . This Mr. Dryden calls the Fairy way ...
Seite 308
... imagination instantly back from the grown woman to the helpless condition of infancy , and places the first and most trying scene of his misfortunes before us , with all that he must have suffered in the interval . How well the silent ...
... imagination instantly back from the grown woman to the helpless condition of infancy , and places the first and most trying scene of his misfortunes before us , with all that he must have suffered in the interval . How well the silent ...
Seite 310
... imagination , or would have dared to avail himself of it ? The thing happens in the play as it might have happened in fact . That which , perhaps , more than any thing else distinguishes the dramatic productions of Shakspeare from all ...
... imagination , or would have dared to avail himself of it ? The thing happens in the play as it might have happened in fact . That which , perhaps , more than any thing else distinguishes the dramatic productions of Shakspeare from all ...
Inhalt
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers