Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 Seiten Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Seite 95
... drama moves , if it is not credited . It is credited with all the credit due to a drama . It is credited , whenever it moves , as a just picture of a real original ; as representing to the auditor what he would himself feel , if he were ...
... drama moves , if it is not credited . It is credited with all the credit due to a drama . It is credited , whenever it moves , as a just picture of a real original ; as representing to the auditor what he would himself feel , if he were ...
Seite 235
... drama , or acted story , consisted in reality of three dramas , called together a trilogy , and performed consecutively in the course of one day . Now you may conceive a tragedy of Shak- speare's as a trilogy connected in one single ...
... drama , or acted story , consisted in reality of three dramas , called together a trilogy , and performed consecutively in the course of one day . Now you may conceive a tragedy of Shak- speare's as a trilogy connected in one single ...
Seite 344
... drama of Greece with feeling , —that drama , so magnificent , so regal , so stately , —and who has thought- fully investigated its principles , and its differences from the English drama , will acknowledge that powerful and elaborate ...
... drama of Greece with feeling , —that drama , so magnificent , so regal , so stately , —and who has thought- fully investigated its principles , and its differences from the English drama , will acknowledge that powerful and elaborate ...
Inhalt
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers