Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 Seiten Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Seite 177
... delightful I These observations have brought me so near to the regions of Poetic magic , ( using the word here in its ... delight the tripping fairy , whose shadowy topic has drawn me far beyond my design : I THE CHARACTER OF FALSTAFF 177.
... delightful I These observations have brought me so near to the regions of Poetic magic , ( using the word here in its ... delight the tripping fairy , whose shadowy topic has drawn me far beyond my design : I THE CHARACTER OF FALSTAFF 177.
Seite 214
... delight , with the power of producing it , is a gift of imagination ; and this together with the power of reduc- ing multitude into unity of effect , and modifying a series of thoughts by some one predominant thought or feel- ing , may ...
... delight , with the power of producing it , is a gift of imagination ; and this together with the power of reduc- ing multitude into unity of effect , and modifying a series of thoughts by some one predominant thought or feel- ing , may ...
Seite 308
... delights not me , nor woman neither , though by your smiling you seem to say so . ' Which is explained by their an- swer - ' My lord , we had no such stuff in our thoughts . But we smiled to think , if you delight not in man , what ...
... delights not me , nor woman neither , though by your smiling you seem to say so . ' Which is explained by their an- swer - ' My lord , we had no such stuff in our thoughts . But we smiled to think , if you delight not in man , what ...
Inhalt
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers