Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 Seiten Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Seite 163
... Falstaff as wholly detached from his other qualities : But I write not professedly of any part of his character , but what is included under the term , Courage ; however I may incidentally throw some lights on the whole : - The reader ...
... Falstaff as wholly detached from his other qualities : But I write not professedly of any part of his character , but what is included under the term , Courage ; however I may incidentally throw some lights on the whole : - The reader ...
Seite 179
... Falstaff , excepting the Prince and Poins , whose evidence I have begged leave to reserve , and excepting a very severe censure passed on him by Lord John of Lancaster , which I shall presently consider : But I must first observe , that ...
... Falstaff , excepting the Prince and Poins , whose evidence I have begged leave to reserve , and excepting a very severe censure passed on him by Lord John of Lancaster , which I shall presently consider : But I must first observe , that ...
Seite 187
... Falstaff's designs upon Shallow ' till the moment of his disgrace . ' If I had had time , ( says he to Shallow , as the King is approaching , ) ' to have made new liveries , I would have bestowed the thou- sand pounds I borrowed of you ...
... Falstaff's designs upon Shallow ' till the moment of his disgrace . ' If I had had time , ( says he to Shallow , as the King is approaching , ) ' to have made new liveries , I would have bestowed the thou- sand pounds I borrowed of you ...
Inhalt
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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Häufige Begriffe und Wortgruppen
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers