Reading Popular Prints 1790-1870
Manchester University Press, 07.12.2001 - 190 Seiten
Each chapter of this stimulating book collects a wide variety of images show the different ways that historical events can be represented. Metal and wood engravings, lithographs, woodcuts, etchings, watercolors, and drawings all reflect changing attitudes towards gender, politics, the family, education, and industrialization. This revised second edition has many new illustrations which further assist the interpretation of popular graphic images from the 18th and 19th centuries.
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Albion Mill Anonymous wood engraved artists audience bridge broadside caricature caricature tradition Caricaturists central Chambers brothers chapter codes Collings Collings's comic complex construct cottage cultural described Dictionary discourses dustman Dusty Bob early Victorian educated eighteenth-century emblematic etched Family Economist fiction figure fire formulations gender genres genteel George George Cruikshank Gerald Massey graphic images Gustave Doré Hogarth to Cruikshank Houfe ideological Illustrated London industrial interest interpretation issues labour literary literature lithography mass middle class Miscellany mode Moncrieff's motifs Museum narrative naturalistic novel oil painting Penny Magazine period Pickwick Pickwick Papers picturesque poem political popular prints possible potential printmaking published readers readership reading representation returning artisan Rival Mag’s Samuel Wyatt satirical scene Seymour single plate caricature social Songbook sophisticated stereotype Thomas Girtin tion tract literature trope urban vernacular versions Victorian Wood Engravers visual watercolours wood engraved illustration wood engraved vignette woodcut
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