Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 273
... theme of the play.1 Malvolio is first and last one of Olivia's suitors , and his chief contribution to the play is in representing a particular attitude toward love as well as toward himself and his world . In this he recalls Jaques of ...
... theme of the play.1 Malvolio is first and last one of Olivia's suitors , and his chief contribution to the play is in representing a particular attitude toward love as well as toward himself and his world . In this he recalls Jaques of ...
Seite 275
... theme of indulgence , as we have said , is here presented in such a way that attitudes toward it are made to reflect upon analogous attitudes toward love . The relationship of the two themes can be seen as it affects other characters ...
... theme of indulgence , as we have said , is here presented in such a way that attitudes toward it are made to reflect upon analogous attitudes toward love . The relationship of the two themes can be seen as it affects other characters ...
Seite 301
... themes are by now such a recognized fea- ture of Shakespearian drama that we are perhaps in danger of underrating them . And when one begins to reconsider Shakespeare's use of the most recurrent theme of them all , the contrast between ...
... themes are by now such a recognized fea- ture of Shakespearian drama that we are perhaps in danger of underrating them . And when one begins to reconsider Shakespeare's use of the most recurrent theme of them all , the contrast between ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words