Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 28
... speech a woman's infamy ' ( 31 ) , construing the speech as his own heroic rescue of the fair sex.38 Though saving Helen from cultural blame , the Encomium deprives her of any agency , characterizing her as the object of male strength , ...
... speech a woman's infamy ' ( 31 ) , construing the speech as his own heroic rescue of the fair sex.38 Though saving Helen from cultural blame , the Encomium deprives her of any agency , characterizing her as the object of male strength , ...
Seite 136
... speech with which he equates the pastoral and political worlds . By cancelling out the semiotic difference between game and reality , Jaques only causes this difference to emerge again as a sort of split in his own behavior . What he ...
... speech with which he equates the pastoral and political worlds . By cancelling out the semiotic difference between game and reality , Jaques only causes this difference to emerge again as a sort of split in his own behavior . What he ...
Seite 140
... speech - acts ( Oliver ) . And if the game is seen as being regulated by a code of concealment inherent in language itself ( Jaques ) , then double meaning is present in the guise of self - deception . However the difference may be ...
... speech - acts ( Oliver ) . And if the game is seen as being regulated by a code of concealment inherent in language itself ( Jaques ) , then double meaning is present in the guise of self - deception . However the difference may be ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words