Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 19
... senses ; for even apart from their usefulness they are loved for themselves ; and above all others the sense of sight . For not only with a view to action , but even when we are not going to do anything we prefer seeing to everything ...
... senses ; for even apart from their usefulness they are loved for themselves ; and above all others the sense of sight . For not only with a view to action , but even when we are not going to do anything we prefer seeing to everything ...
Seite 139
... sense that emerges from the dialogue acquires its substance by excluding something equally pertinent , which in turn invalidates the first sense when it takes its own place in the foreground of the conversation . The one does not ...
... sense that emerges from the dialogue acquires its substance by excluding something equally pertinent , which in turn invalidates the first sense when it takes its own place in the foreground of the conversation . The one does not ...
Seite 305
... sense reality can be limited only to " what is , " in an ethical sense it can be ex- tended to cover " what ought to be " or " what is best , " as Plato very well understood . When Feste insists that he does care for something , he ...
... sense reality can be limited only to " what is , " in an ethical sense it can be ex- tended to cover " what ought to be " or " what is best , " as Plato very well understood . When Feste insists that he does care for something , he ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words