Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 37
... seems unable to account for the hero's ' schizophrenic unity , ' which emerges in the course of the play.82 Like Hamlet , Philaster opens amidst an ongoing po- litical intrigue that seems to set the stage for a tale of brave and ...
... seems unable to account for the hero's ' schizophrenic unity , ' which emerges in the course of the play.82 Like Hamlet , Philaster opens amidst an ongoing po- litical intrigue that seems to set the stage for a tale of brave and ...
Seite 51
... seems to have operated tacitly rather than through direct censorship . " Although the stage itself was obviously exempt from sumptuary laws ( not without objection ) , it seems to have been impermissible to represent the breaking of ...
... seems to have operated tacitly rather than through direct censorship . " Although the stage itself was obviously exempt from sumptuary laws ( not without objection ) , it seems to have been impermissible to represent the breaking of ...
Seite 283
... seems to serve the dramatic action less than the policeman does . Indeed , his presence seems purely linguistic ; he is a " straight man " to Orsino's pun on " hart " . But even though Curio's line seems only to fill this need in the ...
... seems to serve the dramatic action less than the policeman does . Indeed , his presence seems purely linguistic ; he is a " straight man " to Orsino's pun on " hart " . But even though Curio's line seems only to fill this need in the ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words