Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 294
... reality and therefore il- lusory ; like the illusions of Oberon and Richard II it dominates reality , shaping it to its own form and grant- ing it validity only within these terms , negating the experiences from which it draws positive ...
... reality and therefore il- lusory ; like the illusions of Oberon and Richard II it dominates reality , shaping it to its own form and grant- ing it validity only within these terms , negating the experiences from which it draws positive ...
Seite 295
... reality can expose it for what it is , as an elaborate nothing , a substanceless patter : Sir Toby Approach , Sir Andrew . Not to be abed after midnight is to be up betimes ; and ' diluculo surgere ' thou know'st- Sir Andrew Nay , by my ...
... reality can expose it for what it is , as an elaborate nothing , a substanceless patter : Sir Toby Approach , Sir Andrew . Not to be abed after midnight is to be up betimes ; and ' diluculo surgere ' thou know'st- Sir Andrew Nay , by my ...
Seite 296
... reality is parallel to the similar interchange in Maria's puns . The physi- cal yet symbolic act of writing becomes itself a substi- tute for physical activity , so that metaphor constantly blurs into fact : the greater the physical ...
... reality is parallel to the similar interchange in Maria's puns . The physi- cal yet symbolic act of writing becomes itself a substi- tute for physical activity , so that metaphor constantly blurs into fact : the greater the physical ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words