Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 56
... offers to Adonis a more pointed allegory or extended metaphor , in which she is a park and Adonis the deer whom she invites to " graze " on her and to " stray lower , where the pleasant fountains lie " ( 229-34 ) . Venus's allegory is ...
... offers to Adonis a more pointed allegory or extended metaphor , in which she is a park and Adonis the deer whom she invites to " graze " on her and to " stray lower , where the pleasant fountains lie " ( 229-34 ) . Venus's allegory is ...
Seite 153
... offers is its liberties : love finds what it seeks ; Jaques is allowed to criticize as he likes ; Touchstone may mock , Corin may be threatened with impoverishment . But nothing untoward happens ; the forest offers restitution to the ...
... offers is its liberties : love finds what it seeks ; Jaques is allowed to criticize as he likes ; Touchstone may mock , Corin may be threatened with impoverishment . But nothing untoward happens ; the forest offers restitution to the ...
Seite 166
... offers his poor shepherd's cottage as housing and goes on to extol pastoral content : " and for a shepheard's life ( oh Mistresse ) did you but live a while in their content , you would saye the Court were rather a place of sorrowe ...
... offers his poor shepherd's cottage as housing and goes on to extol pastoral content : " and for a shepheard's life ( oh Mistresse ) did you but live a while in their content , you would saye the Court were rather a place of sorrowe ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words