Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 83
... live a shepherd's life forever . Celia has assumed the name Aliena , left her father's court so completely that she never thinks of him again , and falls utterly in love when she meets the reformed Oliver . She has never been tied to ...
... live a shepherd's life forever . Celia has assumed the name Aliena , left her father's court so completely that she never thinks of him again , and falls utterly in love when she meets the reformed Oliver . She has never been tied to ...
Seite 149
... live as he would . He might , then , live sparingly , in simple opposition to urban luxury , confident of nature's power to provide for him ; or he might live richly , feasting from nature's endless store , recreating himself and his ...
... live as he would . He might , then , live sparingly , in simple opposition to urban luxury , confident of nature's power to provide for him ; or he might live richly , feasting from nature's endless store , recreating himself and his ...
Seite 166
... live a while in their content , you would saye the Court were rather a place of sorrowe , than of solace . . . . Care cannot harbour in our cottages .... " The fact that the sheepcote is going to be put up for sale is merely a fortunate ...
... live a while in their content , you would saye the Court were rather a place of sorrowe , than of solace . . . . Care cannot harbour in our cottages .... " The fact that the sheepcote is going to be put up for sale is merely a fortunate ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words