Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 81
... gives us still other ways of distinguishing this world from Frederick's . Early in the play Celia and Rosalind engage in idle banter about the two god- desses , Fortune and Nature , who share equally in the lives of men . Fortune ...
... gives us still other ways of distinguishing this world from Frederick's . Early in the play Celia and Rosalind engage in idle banter about the two god- desses , Fortune and Nature , who share equally in the lives of men . Fortune ...
Seite 83
... gives both of them an opportunity to play parts free of the restraints that might accompany acknowledged wooing . But though their fanciful indulgence leads them to forget the rest of the world - Rosalind cries out , " But what talk we ...
... gives both of them an opportunity to play parts free of the restraints that might accompany acknowledged wooing . But though their fanciful indulgence leads them to forget the rest of the world - Rosalind cries out , " But what talk we ...
Seite 288
... give or to receive is a question that the play continually poses and answers ambiguously . Viola gives freely , Sebastian takes unhesitantly . Maria gives , Toby takes . Orsino gives , Feste takes . Critics have described very well the ...
... give or to receive is a question that the play continually poses and answers ambiguously . Viola gives freely , Sebastian takes unhesitantly . Maria gives , Toby takes . Orsino gives , Feste takes . Critics have described very well the ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words