Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 87
... fool , Jaques , “ if he will come to me . " In explaining " ducdame , " his mys- terious invocation of fools ... fool in the forest : A fool , a fool ! I met a fool i ' th ' forest , A motley fool ! a miserable world ! As I do live by ...
... fool , Jaques , “ if he will come to me . " In explaining " ducdame , " his mys- terious invocation of fools ... fool in the forest : A fool , a fool ! I met a fool i ' th ' forest , A motley fool ! a miserable world ! As I do live by ...
Seite 138
... fool refrains from adopting any stance to- ward his own language , each of the emerging senses is made to topple over into another , and as this happens to all of them , they begin to parody one another . “ Lin- guistic consciousness ...
... fool refrains from adopting any stance to- ward his own language , each of the emerging senses is made to topple over into another , and as this happens to all of them , they begin to parody one another . “ Lin- guistic consciousness ...
Seite 277
... Fool ! Clown . " My lady is unkind , perdy . " Malvolio . Fool ! Clown . " Alas , why is she so ? ” Malvolio . Fool , I say ! Clown . " She loves another " -Who calls , ha ? ( IV , ii , 78-85 ) The steward's persistent calling of " Fool ...
... Fool ! Clown . " My lady is unkind , perdy . " Malvolio . Fool ! Clown . " Alas , why is she so ? ” Malvolio . Fool , I say ! Clown . " She loves another " -Who calls , ha ? ( IV , ii , 78-85 ) The steward's persistent calling of " Fool ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words