Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 85
... Folly in Shakespeare's Romantic Comedies , The University of Georgia Press , 1980 , pp . 110-48 . [ In the following essay , Hassel concentrates on Shakespeare's comic vision in As You Like It , de- scribing it as an " affirmative ...
... Folly in Shakespeare's Romantic Comedies , The University of Georgia Press , 1980 , pp . 110-48 . [ In the following essay , Hassel concentrates on Shakespeare's comic vision in As You Like It , de- scribing it as an " affirmative ...
Seite 87
... folly ; in fact they encourage them , though with- out sarcasm or bitterness : I love to cope him in these sullen fits , For then he's full of matter ( II.i.67-68 ) But Jaques , like Touchstone , is unaware of his own absurdity . Worse ...
... folly ; in fact they encourage them , though with- out sarcasm or bitterness : I love to cope him in these sullen fits , For then he's full of matter ( II.i.67-68 ) But Jaques , like Touchstone , is unaware of his own absurdity . Worse ...
Seite 88
... folly and its universality . All other melancholies may be foolish - the scholar's , the musician's , the courtier's - but his is not ( IV.i.10-18 ) . He similarly evades her exposure of the folly of his travels . And then by ...
... folly and its universality . All other melancholies may be foolish - the scholar's , the musician's , the courtier's - but his is not ( IV.i.10-18 ) . He similarly evades her exposure of the folly of his travels . And then by ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words