Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 168
... fact what protects Corin from Touchstone's assaults . The simple and pragmatic Corin is unashamed to avow the most unglamourous of facts : for example , the hireling shep- herd has greasy hands , and kissing them " would be uncleanly ...
... fact what protects Corin from Touchstone's assaults . The simple and pragmatic Corin is unashamed to avow the most unglamourous of facts : for example , the hireling shep- herd has greasy hands , and kissing them " would be uncleanly ...
Seite 180
... fact , subverts the woman's world of this play by recalling the boy Rosalind - Ganymede and not the woman who has been the linguistic heart of the play ( " Sexual Poli- tics , " 79-80 ) . I would suggest , in addition , that Rosalind's ...
... fact , subverts the woman's world of this play by recalling the boy Rosalind - Ganymede and not the woman who has been the linguistic heart of the play ( " Sexual Poli- tics , " 79-80 ) . I would suggest , in addition , that Rosalind's ...
Seite 195
... fact : the co - presence of twins . 4 This bare fact itself is paralleled by the single stage set , its unchanging presence in contrast to , say , the sweep- ing panorama - to use the movies ' cliche - of Antony and Cleopatra or the ...
... fact : the co - presence of twins . 4 This bare fact itself is paralleled by the single stage set , its unchanging presence in contrast to , say , the sweep- ing panorama - to use the movies ' cliche - of Antony and Cleopatra or the ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words