Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 46
... example may be useful . In the United States today , new acquaintances generally ask each other " What do you do ? " - a question that everyone understands as " What do you do for a living ? What is your job ? " Were I to decide to pass ...
... example may be useful . In the United States today , new acquaintances generally ask each other " What do you do ? " - a question that everyone understands as " What do you do for a living ? What is your job ? " Were I to decide to pass ...
Seite 48
... example . This division into task - oriented and improvisational disguises is , inevitably , somewhat arbitrary , and the resulting categories are impure . Portia , for example , invents the task - oriented role of Balthazar in order to ...
... example . This division into task - oriented and improvisational disguises is , inevitably , somewhat arbitrary , and the resulting categories are impure . Portia , for example , invents the task - oriented role of Balthazar in order to ...
Seite 187
... example , there appear four collections of quotations . One is entitled " In Search of Her Self . " While this gesture toward the recuperation of a female subjectivity is laudable , the prose and poetry presented is all written by men ...
... example , there appear four collections of quotations . One is entitled " In Search of Her Self . " While this gesture toward the recuperation of a female subjectivity is laudable , the prose and poetry presented is all written by men ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words