Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 26
... effect . . . when the effect is gathered by the effi- cient . ' This interchangeable causality reinforces the function of androgyny as a rhetorical motif in texts of the period , one that affects their discursive logic and tropes.2 22 ...
... effect . . . when the effect is gathered by the effi- cient . ' This interchangeable causality reinforces the function of androgyny as a rhetorical motif in texts of the period , one that affects their discursive logic and tropes.2 22 ...
Seite 28
... effect of perception , and her perception is an effect of Paris ' original presence . She experi- ences the same kind of passive sight and selfhood that Shakespeare's Cressida complains about - The error of our eye directs our mind ...
... effect of perception , and her perception is an effect of Paris ' original presence . She experi- ences the same kind of passive sight and selfhood that Shakespeare's Cressida complains about - The error of our eye directs our mind ...
Seite 34
... effect of this desire rather than its cause . She externalizes masculine dissatisfac- tion , giving it a verbal and personal goal — ' woman'– that may then be construed as its origin . 72 The external placement displaces cause and effect ...
... effect of this desire rather than its cause . She externalizes masculine dissatisfac- tion , giving it a verbal and personal goal — ' woman'– that may then be construed as its origin . 72 The external placement displaces cause and effect ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words