Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 89
Seite 71
... characters , its sources are thought to also include such texts as Sir Philip Sidney's Arcadia , the anonymous Historie of Sir Clyomen and Clamydes , and Ovid's Metamorphoses . The work is typically seen as a light - hearted comedy ...
... characters , its sources are thought to also include such texts as Sir Philip Sidney's Arcadia , the anonymous Historie of Sir Clyomen and Clamydes , and Ovid's Metamorphoses . The work is typically seen as a light - hearted comedy ...
Seite 206
... characters typically invoke fixed hierarchies of rank to chart their identities and actions . Here , however , hierarchy is invoked precisely so that it might be made a matter of chance , not of God or nature ( " We'll draw cuts for the ...
... characters typically invoke fixed hierarchies of rank to chart their identities and actions . Here , however , hierarchy is invoked precisely so that it might be made a matter of chance , not of God or nature ( " We'll draw cuts for the ...
Seite 282
... characters - Orsino , Viola , Maria , Sir Toby , Sir Andrew , Feste , Olivia , Malvolio , and Sebastian- could not , by their interweaving of parts , maintain the pace which prevents any character from becoming a Hamlet or Macbeth . If ...
... characters - Orsino , Viola , Maria , Sir Toby , Sir Andrew , Feste , Olivia , Malvolio , and Sebastian- could not , by their interweaving of parts , maintain the pace which prevents any character from becoming a Hamlet or Macbeth . If ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words