Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite x
... Press . COPYRIGHTED EXCERPTS IN SC , VOLUME 34 , WERE REPRODUCED FROM THE FOLLOWING BOOKS : Baldwin , T. W. From " Three Homilies in ' The Comedy of Errors ' , " in Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig ...
... Press . COPYRIGHTED EXCERPTS IN SC , VOLUME 34 , WERE REPRODUCED FROM THE FOLLOWING BOOKS : Baldwin , T. W. From " Three Homilies in ' The Comedy of Errors ' , " in Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig ...
Seite 42
... Press 1971 ) c.ii. 18 As suggested in ch 1 , in its distinction between the ' proper ' and the figurative , the old rhetoric initiated more recent theories of the relation of metaphor and metonymy to the subject's speech - for example ...
... Press 1971 ) c.ii. 18 As suggested in ch 1 , in its distinction between the ' proper ' and the figurative , the old rhetoric initiated more recent theories of the relation of metaphor and metonymy to the subject's speech - for example ...
Seite 268
... Press , 1977 ) , 35-54 . 18 On these matters , see also Brooks , " Themes and Structure , " 66 . 19 A. P. Riemer , Antic Fables : Patterns of Evasion in Shakespeare's Comedies ( Manchester : Manchester Univ . Press , 1980 ) , 113 . 20 ...
... Press , 1977 ) , 35-54 . 18 On these matters , see also Brooks , " Themes and Structure , " 66 . 19 A. P. Riemer , Antic Fables : Patterns of Evasion in Shakespeare's Comedies ( Manchester : Manchester Univ . Press , 1980 ) , 113 . 20 ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words