Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 73
... Oliver continues to brood on the matter , the truth tumbles involuntarily out - this is a soliloquy , the re- pository if not the bill - board of truth in Shakespeare : Yet he's gentle ; never school'd and yet learned ; full of noble ...
... Oliver continues to brood on the matter , the truth tumbles involuntarily out - this is a soliloquy , the re- pository if not the bill - board of truth in Shakespeare : Yet he's gentle ; never school'd and yet learned ; full of noble ...
Seite 132
... Oliver has his double in his brother Orlando , who also has a claim to his father's inheritance , and Duke Frederick has his in his brother , the Old Duke , whose position he has usurped . In both cases the pres- ence of the double is ...
... Oliver has his double in his brother Orlando , who also has a claim to his father's inheritance , and Duke Frederick has his in his brother , the Old Duke , whose position he has usurped . In both cases the pres- ence of the double is ...
Seite 133
... Oliver's injustice emerges through Orlando's irony , and Oliver's intentions fail through the implications of his utter- ances . This bracketing together of meanings that run counter to each other dramatizes the dialogic nature of the ...
... Oliver's injustice emerges through Orlando's irony , and Oliver's intentions fail through the implications of his utter- ances . This bracketing together of meanings that run counter to each other dramatizes the dialogic nature of the ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words