Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 78
... Arden , exploring the contrasting qualities displayed by char- acters in each of these settings . ] As You Like It presents an ideal world , just as The Merchant of Venice did . The Forest of Arden has as much romance , as many ...
... Arden , exploring the contrasting qualities displayed by char- acters in each of these settings . ] As You Like It presents an ideal world , just as The Merchant of Venice did . The Forest of Arden has as much romance , as many ...
Seite 106
... Arden he has world enough and time , but at his back the audience is al- ways to hear the inexorable movement of time's winged chariot . And although we may wish to per- ceive Arden as a place " where each man finds him- self and his ...
... Arden he has world enough and time , but at his back the audience is al- ways to hear the inexorable movement of time's winged chariot . And although we may wish to per- ceive Arden as a place " where each man finds him- self and his ...
Seite 115
... Arden.26 Shakespeare's grandfather cultivated Arden forests as a tenant farmer . Can it be incidental that Shakespeare writes his mother's maiden name when Englishing Ardennes ? With all the literacy in As You Like It's Arden , does the ...
... Arden.26 Shakespeare's grandfather cultivated Arden forests as a tenant farmer . Can it be incidental that Shakespeare writes his mother's maiden name when Englishing Ardennes ? With all the literacy in As You Like It's Arden , does the ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words