A History of Modern Criticism 1750-1950: Volume 2, The Romantic Age, Band 1

actually admired Aeschylus aesthetics appear artist August Wilhelm beauty become Berlin called century character classical Coleridge Coleridge's comedy complete conception considered contrast course criticism described discussion distinction drama early effect English epic especially essay expression feeling figures French Friedrich genius genres German Goethe Greek Hazlitt Hegel human Ibid ideal ideas imagination individual interest irony Italian Italy Jean Paul kind language later Lectures less letter literary literature lyric Madame means merely mind moral nature novel object original passages philosophy play poem Poesie poet poetic poetry position praise pure quoted recognizes refers romantic Schelling Schiller Schlegel seems sense Shakespeare speak spirit Staël stage style symbolic taste theory things thought Tieck tion tragedy true truth unity universal vols whole Wordsworth writings