Popular Appeal in English Drama to 1850Macmillan, 1982 - 221 Seiten This book discusses the importance of music-hall to the development of English drama, and many music-hall acts are analysed, a number with reference to the responses of the audience before whom they were recorded. The different but related dramatic techniques of epic drama and the music-hall tradition are considered with reference to the work of T.S. Eliot, Thornton Wilder, Beckett, Osborne, Arden, Pinter, Albee, Griffiths and Nichols. Finally, the phenomenon of abusing the audience is discussed, particular reference being made to Handke's "Offending the Audience" and the Royal Shakespeare Company's "US". |
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Seite 34
... illusion . Despite his audiences ' evident ability to overleap breaks in the continuity of the dramatic narrative , he seems , for a time at least , to have concentrated upon controlling the excesses of his clowns ; secondly , he ...
... illusion . Despite his audiences ' evident ability to overleap breaks in the continuity of the dramatic narrative , he seems , for a time at least , to have concentrated upon controlling the excesses of his clowns ; secondly , he ...
Seite 36
... illusion so remarkably juxtaposed as in The Winter's Tale and Cymbeline , although these are by no means the first occasions on which Shakespeare brings together times and characters which could not have co - existed : Dogberry in ...
... illusion so remarkably juxtaposed as in The Winter's Tale and Cymbeline , although these are by no means the first occasions on which Shakespeare brings together times and characters which could not have co - existed : Dogberry in ...
Seite 149
... illusion , give considerable insight into the relationship of stage illusion to audience . Continuity can be completely broken and , in certain circumstances , restored , but to understand and work this requires great theatrical skill ...
... illusion , give considerable insight into the relationship of stage illusion to audience . Continuity can be completely broken and , in certain circumstances , restored , but to understand and work this requires great theatrical skill ...
Inhalt
The Medieval Tradition | 12 |
Shakespeare and the Comics | 34 |
Jonson and his Contemporaries | 79 |
Urheberrecht | |
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