Abbildungen der Seite
PDF
EPUB

than I have seen in Scotland on such occasions; but the whole appeared just foolish enough notwithstanding; and a knot of low blackguard gamblers, who were stuck together on the coach front, and conversing with desperate profanity on who they did and by whom they were done, showed me that to the foolish there was added not a little of the bad. The Hales Owen road runs for the greater part of the way within the southern edge of the Dudley coal-field, and, lying high, commands a downward view of its multitudinous workings for many miles. It presented from the coach-top this evening a greatly more magnificent prospect than by day. The dark space, a nether firmament, — for its gray wasteful desolation had disappeared with the vanished daylight, was spangled bright by innumerable furnaces, twinkling and star-like in the distance, but flaring like comets in the foreground. We could hear the roaring of the nearer fires; here a tall chimney or massy engine peered doubtfully out, in dusky umber, from amid the blackness; while the heavens above glowed in the reflected light, a bloodred. It was near ten o'clock ere I reached the inn at Hales Owen; and the room into which I was shown received, for more than an hour after, continual relays of guests from the races, who turned in for a few minutes to drink gin and water, and then took the road again. They were full of their backings and their bets, and animated by a life-and-death eagerness to demonstrate how Sir John's gelding had distanced my Lord's

mare.

CHAPTER VIII.

[ocr errors]

Abbotsford and the Leasowes. - The one place naturally suggestive of the other. Shenstone. The Leasowes his most elaborate Composition. The English Squire and his Mill. -Hales Owen Abbey; interesting, as the Subject of one of Shenstone's larger Poems. The old anti-Popish Feeling of England well exemplified by the Fact. Its Origin and History. - Decline. — Infidelity naturally favorable to the Resuscitation and Reproduction of Popery. The two Naileresses. Cecilia and Delia. Skeleton Description of the Leasowes. - Poetic filling up. The Spinster. - The Fountain.

I HAD come to Hales Owen to visit the Leasowes, the patrimony which poor Shenstone converted into an exquisite poem, written on the green face of nature, with groves and thickets, cascades and lakes, urns, temples, and hermitages, for the characters. In passing southwards, I had seen from the coach-top the woods of Abbotsford, with the turrets of the mansion-house peeping over; and the idea of the trim-kept desolation of the place suggested to me that of the paradise which the poet of Hales Owen had, like Sir Walter, ruined himself to produce, that it, too, might become a melancholy desert. Nor was the association which linked Abbotsford to the Leasowes by any means arbitrary: the one place may be regarded as having in some degree arisen out of the other. “It had been,” says Sir Walter, in one of his prefaces, "an early wish of mine to connect myself with my mother earth, and prosecute those experiments by which a species of creative power is exercised over the face of nature. I can trace, even to childhood, a pleasure derived from Dodsley's account of Shenstone's Leasowes; and I envied the poet much more for the pleasure of accomplishing

the objects detailed in his friend's sketch of his grounds, than for the possession of pipe, crook, flock, and Phillis to boot." Alas!

"Prudence sings to thoughtless bards in vain.”

In contemplating the course of Shenstone, Sir Walter could see but the pleasures of the voyage, without taking note of the shipwreck in which it terminated; and so, in pursuing identically the same track, he struck on identically the same shoal.

I had been intimate from a very immature period with the writings of Shenstone. There are poets that require to be known early in life, if one would know them at all to advantage. They give real pleasure, but it is a pleasure which the mind outgrows; they belong to the "comfit and confectionaryplum" class; and Shenstone is decidedly one of the number. No mind ever outgrew the "Task," or the "Paradise Lost," or the dramas of Shakspeare, or the poems of Burns: they please in early youth; and, like the nature which they embody and portray, they continue to please in age. But the Langhorns, Wartons, Kirke Whites, Shelleys, Keatses, shall I venture to say it? Byrons, are flowers of the spring, and bear to the sobered eye, if one misses acquainting one's self with them at the proper season, very much the aspect of those herbarium specimens of the botanist, which we may examine as matters of curiosity, but scarce contemplate, as we do the fresh uncropped flowers, with all their exquisite tints and delicious odors vital within them, as the objects of an affectionate regard. Shenstone was one of the ten or twelve English poets whose works I had the happiness of possessing when a boy, and which, during some eight or ten years of my life, — for books at the time formed luxuries of difficult procurement, and I had to make the most of those I had, I used to read over and over at the rate of about twice in the twelvemonth. And every time I read the poems, I was sure also to read Dodsley's appended

description of the Leasowes. I could never form from it any idea of the place as a whole: the imagery seemed broken up into detached slips, like the imagery of a magic lantern; but then nothing could be finer than the insulated slips; and my mind was filled with gorgeous pictures, all fresh and bright, of "sloping groves," "tufted knolls," "wooded valleys," "sequestered lakes," and "noisy rivulets," of rich grassy lawns, and cascades that come bursting in foam from bosky hill-sides, of monumental urns, tablets, and temples, - of hermitages and priories; and I had now come to see in what degree my conceptions, drawn from the description, corresponded with the original, if, indeed, the original still maintained the impress given it by the genius of Shenstone. His writings, like almost all poetic writings that do not please equally at sixteen and sixty, had stood their testing century but indifferently well. No one at least would now venture to speak of him as the "celebrated poet, whose divine elegies do honor to our nation, our language, and our species;" though such, sixty years ago, was the estimate of Burns, when engaged in writing his preface to an uncouth volume of poems first published at Kilmarnock, that promise to get over their century with much greater ease. On the "Leasowes,"-by far the most elaborate of all the compositions of its author, the ingenious thinking of full twenty years had been condensed; and I was eager to ascertain whether it had not stood its testing century better, under the skyey influences, than "Ophelia's Urn," or "the Song of Colin, a discerning Shepherd," under those corresponding influences of the literary heavens which freshen and preserve whatever has life in it, and wear down and dilapidate whatever is dead.

A little after ten o'clock, a gentleman, who travelled in hist own carriage, entered the inn,—a frank, genial Englishman, who seemed to have a kind word for every one, and whom the

inn-people addressed as the Squire. My Scotch tongue revealed my country; and a few questions on the part of the Squire, about Scotland and Scotch matters, fairly launched us into conversation. I had come to Hales Owen to see the Leasowes, I said: when a very young man, I used to dream about them full five hundred miles away, among the rocks and hills of the wild north; and I had now availed myself of my first opportunity of paying them a visit. The Squire, as he in turn informed me, had taken the inn in his way to rusticate for a few days at a small property of his in the immediate neighborhood of the Leasowes and if I but called on him on the morrow at his temporary dwelling,- Squire Eyland's Mill,-all the better if I came to breakfast, he would, he said, fairly enter me on the grounds, and introduce me, as we went, to the old ecclesiastical building which forms the subject of one of Shenstone's larger poems, "The Ruined Abbey." He knew all the localities, which one acquainted with but the old classic descriptions. would now find it difficult to realize, for the place had fallen into a state of sad dilapidation; and often acted the part of cicerone to his friends. I had never met with anything half so frank in Scotland from the class who travel in their own carriages; and, waiving but the breakfast, I was next morning at the Mill, — a quiet, rustic dwelling, at the side of a green lane, —a little before ten. It lies at the bottom of a flat valley, with a small stream, lined by many a rich meadow, stealing between its fringes of willows and alders; and with the Leasowes on the one hand, and the Clent Hills, little more than an hour's walk away, on the other, it must form, in the season of green fields and clear skies, a delightful retreat.

The Squire led me through the valley adown the course of the stream for nearly a mile, and then holding to the right for nearly a quarter of a mile more, we came full upon the ruins

« ZurückWeiter »