The Role of Anxiety in English Tragedy, 1580-1642

A. C. Bradley action ambition Aristotle Arkansas State University audience awareness basic becomes Bradley Bussy D'Ambois Chapman character Christian Christopher Marlowe concept conflict courage critics Daiches death despair divine doctrine doubt dramatist Elizabethan essence ethical evil existence existential Faustus fear feelings Ford and Urban Freud Fromm George Chapman Giovanni Greek Hamlet Haydn heart heaven Hegel human Ibid individual Jacobean James Hogg John Webster Kierkegaard King Lear Kristeller late Renaissance later Macbeth man's Marlowe Marlowe's McFarland meaning meaninglessness medieval modern moral nature negation Neoplatonism Nietzsche nonbeing notes nothingness ontological Ornstein Othello passion Paul Tillich philosophy Platonic play Professor of English protagonist psychological rational realization reason reflection relationship romantic Salzburg scene self-knowledge selfhood Senecan sense Shakespeare significant soul spiritual Stoic Stoicism supernatural Tamburlaine Tamyra theories thou thought torment tragedy tragic drama tragic guilt tragic hero tragic view tragic vision transcendence University Press values writes York Zenocrate